The internet is buzzing with one name: Callum Turner. The British actor has emerged as a serious contender to become the next James Bond, with fresh reports on 2 November claiming he has landed the coveted role in Denis Villeneuve’s upcoming 007 film. However, Amazon MGM Studios has yet to confirm the casting.

Turner, best known for Masters of the Air and the Fantastic Beasts franchise, has been linked to the role for months. Speculation intensified after reports that he was among the actors involved in the final screen-testing stage, alongside names including Jack Lowden and Josh O’Connor. According to Variety and The Guardian, the casting process has entered its decisive phase, although the precise shortlist remains unconfirmed.

The latest wave of excitement followed a report from entertainment journalist Roger Friedman of Showbiz411, who claimed Turner was the next Bond. Friedman previously broke the news of Daniel Craig’s casting, lending his latest claim additional intrigue. Nevertheless, his report has not been backed by an official announcement, leaving fans to separate industry whispers from established fact.

Turner’s reported departure as a director of Twentytwo Films, the production company he founded with his wife, global pop star Dua Lipa, has also fuelled speculation. Some observers believe the move could signal preparations for an enormous professional commitment. Others have suggested Lipa might perform the next Bond theme, although that remains entirely speculative.

The prospect of Turner working with Villeneuve is particularly compelling. The filmmaker behind Dune, Arrival and Blade Runner 2049 is known for atmospheric filmmaking, visual ambition and morally complex characters. With Steven Knight, creator of Peaky Blinders, writing the screenplay, audiences are already imagining a darker, more psychologically layered interpretation of the iconic spy.

Turner could bring a fresh combination of physical presence, understated charisma and emotional depth to the character, following Craig’s celebrated five-film tenure.

For now, the excitement is understandable, but the distinction between rumour and confirmation remains crucial. The next Bond film is planned for a 2028 theatrical release, and the casting announcement is widely expected before the end of 2026.

Could Callum Turner be the man stepping into Bond’s tailored suits? The signs have certainly fuelled the conversation. Until the studio confirms it, however, 007’s identity remains officially a mystery.

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The physical resemblance is one of the first things fans notice. On Reddit, one fan described Grace’s face as “pretty damn close to Britney,” specifically pointing to “the proportions of her eyes and her profile.” Another said Grace has Britney’s “downturned eyes,” while others have noted the softness of her features. It is not an exact likeness, but that may actually be part of the appeal. With the right hair, makeup and styling, fans can imagine Grace moving convincingly through Britney’s late-1990s and early-2000s eras.

There is also one particularly striking piece of visual evidence for the fan casting: Grace has dressed up as Britney in the iconic schoolgirl look from the “…Baby One More Time” video. The image immediately taps into one of Britney’s most recognisable eras, from the tied-up white shirt and pleated skirt to the pigtails and youthful styling. For fans imagining Grace as Britney, it is almost a ready-made glimpse of what the actress could look like on screen. Rather than simply sharing a passing resemblance, Grace can already be visually transformed into the pop star that millions of people remember from the late 1990s. It is the kind of image that makes the casting suggestion feel less like an abstract internet fantasy and more like a role that could genuinely work.

Then there is the acting. Grace has spent much of her career playing emotionally complicated characters, often having to communicate vulnerability, fear or intensity without relying on huge performances. That matters for a Britney story, which would need to portray considerably more than the pop star’s public image. The challenge would be capturing the difference between Britney the performer and Britney the person.

Grace also has something many potential contenders would need to develop: genuine musical experience. She is an established singer-songwriter who has released her own music and plays several instruments. “I love singing and creating,” she has said, describing music as something that has always been part of her life.

Perhaps most intriguingly, Grace already has a personal connection to Britney’s music. She has revealed that Britney’s Greatest Hits was essentially the soundtrack to her childhood car journeys to Los Angeles, saying she listened to it repeatedly for five years. When asked about playing Britney in a biopic, Grace said Britney was ‘the first thing that came to mind.’

And then there is Grace herself: the expressive face, the quick emotional reactions and the infectious, slightly awkward laugh that can instantly make her seem younger and more relatable. Fans have already seen how naturally she can communicate a whole range of emotions through tiny facial changes.

One Reddit fan summed up the enthusiasm simply: “I’d be so happy to see her play Britney.” Another called her “a great actress” who could “totally” play Britney’s younger years.

For now, it remains fan casting, not casting news. But if the internet is right, McKenna Grace may have the rare combination of resemblance, acting range, musical ability and personal connection to Britney that could make her a compelling choice.

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The Astral Realm

According to Yogananda, the astral realm is a dimension of existence beyond the physical world, where souls go after death. This realm is characterized by light, energy, and subtle vibrations. It’s a place where the limitations of the physical body are transcended, and beings have more freedom and capabilities compared to the physical plane.

In the astral world, thoughts and desires can manifest more directly, and beings communicate telepathically. Time and space are experienced differently, with greater fluidity and flexibility. The inhabitants of this realm have astral bodies, which are luminous and capable of instantaneous movement.

Hiranyaloka

Hiranyaloka, or the “Illumined Astral Planet,” is described in the book as a high-level astral sphere where advanced souls reside. These souls are not ordinary beings but are those who have achieved significant spiritual progress and are working toward final liberation. Hiranyaloka serves as a transitional realm for souls who have transcended the lower astral worlds but have not yet reached the causal world or attained full liberation.

Characteristics of Hiranyaloka

1. Advanced Inhabitants: The residents of Hiranyaloka are highly advanced spiritually. They are often saints and sages who have completed many incarnations and are in the final stages of their spiritual evolution.
2. Purpose: Souls in Hiranyaloka are there to work off their remaining karma and to prepare for ultimate liberation (moksha). It’s a place of intense spiritual practice and refinement.
3. Environment: The environment of Hiranyaloka is described as being filled with radiant light and beauty. It is a place of immense peace and joy, where the soul can progress without the distractions and attachments found in the lower worlds.
4. Educational Role: Hiranyaloka also functions as a place where advanced souls continue their spiritual education under the guidance of higher beings. This education is geared toward understanding the ultimate truths of existence and preparing for the transition to the causal plane.
5. Temporary Abode: Despite its splendor, Hiranyaloka is not the final destination. It is a temporary abode for those who have nearly completed their spiritual journey but still need to dissolve the final remnants of their karma and attachments.

Yogananda’s Description

In “Autobiography of a Yogi,” Yogananda recounts his guru, Sri Yukteswar, appearing to him after his death and explaining his current existence in Hiranyaloka. Sri Yukteswar describes the nature of the astral world and Hiranyaloka in great detail, emphasizing the continuous journey of the soul through various planes of existence until it merges with the Divine.

Sri Yukteswar explains that after death, souls move through different astral planes based on their level of spiritual development. Hiranyaloka represents a higher stage in this journey, offering a place where advanced souls can continue their progress without the encumbrances of the physical world.

The astral realm, and particularly Hiranyaloka as described in “Autobiography of a Yogi,” represents a sophisticated and deeply spiritual view of the afterlife and the soul’s journey. This realm is a place of higher learning, purification, and preparation for final liberation, where advanced souls can continue their evolution in an environment of light, peace, and spiritual mentorship.

In the astral realm, as described in “Autobiography of a Yogi” and particularly in reference to Hiranyaloka, beings have astral bodies. These bodies are quite different from our physical bodies in several key aspects:

Characteristics of Astral Bodies

1. Luminous and Radiant: Astral bodies are composed of light and energy, making them luminous and radiant. They are often described as glowing with a soft, inner light.
2. Subtle and Ethereal: Unlike the dense physical bodies, astral bodies are subtle and ethereal. They do not have the same physical limitations and can pass through solid objects.
3. Youthful Appearance: In the astral realm, beings typically appear youthful and beautiful. The astral body does not age or suffer from disease as the physical body does.
4. Malleable Form: The form of the astral body can change based on the soul’s desires and thoughts. This means beings in the astral realm can alter their appearance to some extent.
5. Enhanced Capabilities: Astral bodies have capabilities that are far beyond those of physical bodies. For instance, they can move instantaneously from one place to another and communicate telepathically.

Inhabitants of Hiranyaloka

In Hiranyaloka, which is a higher and more refined plane of the astral realm, the astral bodies of its inhabitants are even more refined and radiant compared to those in lower astral planes. Here are additional details specific to Hiranyaloka:

1. Advanced Radiance: The astral bodies in Hiranyaloka are exceptionally bright and radiant, reflecting the advanced spiritual state of their inhabitants.
2. Purity and Beauty: The inhabitants of Hiranyaloka exhibit an extraordinary level of purity and beauty, which is a direct manifestation of their high spiritual advancement.
3. Spiritual Garments: According to Yogananda’s description, the inhabitants may appear to wear luminous robes or garments that signify their spiritual status and achievements. These are not physical clothes but rather expressions of their spiritual light and aura.
4. Distinct Features: While astral bodies can be malleable, advanced souls in Hiranyaloka maintain distinct features that reflect their spiritual identity and past lives. These features, however, are always in their most perfect and ideal form.

Descriptions from “Autobiography of a Yogi”

In the book, Sri Yukteswar describes the astral body as “a body made of prana, or vital energy, and lifetrons, of electrons and protons, and other subtle forces.” He explains that these bodies are free from disease and aging and that they allow greater freedom of movement and expression.

Sri Yukteswar himself, after passing away, appeared to Yogananda in his radiant astral form, which was youthful, luminous, and exuded peace and joy. This appearance reflects the general characteristics of beings in the astral realm, and more specifically, the advanced nature of those in Hiranyaloka.

In the astral realm, and particularly in Hiranyaloka, beings have luminous, radiant, and youthful astral bodies that are free from physical limitations. These bodies reflect the spiritual advancement and purity of the soul, allowing for greater freedom, beauty, and expression. The descriptions given in “Autobiography of a Yogi” emphasize the ethereal and divine nature of these forms, highlighting the transcendence over the physical plane.

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Football’s golden boy has swapped the pitch for designer underwear, and Calvin Klein knows exactly how to get people talking.

Jude Bellingham is having a major fashion moment. The 23-year-old Real Madrid and England midfielder has made his debut for Calvin Klein Underwear, fronting a campaign that puts his athletic physique, confidence and superstar appeal firmly in the spotlight. Launched globally on November 2, 2026, the campaign is already a talking point for football fans and fashion watchers alike. Source: PEOPLE

Who is Jude Bellingham?

Bellingham is one of English football’s biggest contemporary names. After establishing himself as an exceptional young midfielder, he moved to Real Madrid, where his performances, charisma and trademark goal celebrations helped turn him into a global sporting celebrity. Now, his appeal extends beyond the football pitch, making him a natural fit for a brand famous for turning athletes and entertainers into underwear icons.

Who shot the campaign?

Photographer and director Oliver Hadlee Pearch captured the campaign in Madrid in August. The creative direction keeps things deliberately minimal: a clean white studio background, close attention to Bellingham’s physique, and several styles from Calvin Klein’s Icon Cotton Stretch collection.

The accompanying video follows the familiar Calvin Klein formula, building anticipation as Bellingham transitions from a tank top and jeans into his underwear. Cheering sounds add a playful stadium connection, while the campaign’s tagline, “What matters most is the icon underneath,” links his sporting fame with the brand’s confidence-focused message. Source: Adweek

What is the internet saying?

The campaign taps into the irresistible combination of football fandom, celebrity appeal and classic underwear advertising. Bellingham’s muscular build, relaxed posing and recognisable confidence are obvious conversation starters. Social media reactions can range from admiration for the photography and styling to playful thirst-posting and memes, although individual viral claims should not be mistaken for representative public opinion.

The big question: is his package big or small?

Naturally, revealing underwear shots invite speculation about what lies beneath the waistband. But photographs are affected by fabric, fit, pose, lighting and camera angle, so they cannot reliably establish anyone’s anatomy. There is no verified measurement to settle the internet’s guessing game, and a visual impression is not proof.

Ultimately, the campaign’s real selling point is bigger than any online debate about Bellingham’s body. Calvin Klein has paired one of football’s most recognisable young stars with its signature minimalist aesthetic, creating a crossover moment that puts fashion, sport and celebrity culture in the same frame. And with Oliver Hadlee Pearch behind the lens, Bellingham looks entirely at home in front of it.

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The actress has been cast as Anna in Playmates, an upcoming coming-of-age drama from Searchlight Pictures. The film will be the feature directorial debut of Lorraine Nicholson, daughter of Hollywood legend Jack Nicholson, who has also written the screenplay. The project was announced by Searchlight in September 2026. (TheWrap⁠)

Despite its provocative setting, Playmates is not a Hugh Hefner biopic. Instead, the story centres on 13-year-old Elle, played by Indiana Elle, a self-described know-it-all who considers the Playboy Mansion her second home. There she meets Anna, one of seven women hoping to become Playmate of the Month, played by Depp.

The pair develop an unlikely friendship and decide to help each other pursue what they want most. For Anna, that means achieving a coveted magazine cover. For Elle, it means winning over a boy. The film is therefore being positioned primarily as a coming-of-age story rather than a straightforward examination of Hefner or the Playboy brand. (TheWrap⁠)

Bill Pullman is attached to play Hugh Hefner, bringing the real-life founder of Playboy into the story. However, available details suggest Hefner is part of the world surrounding the characters rather than the central protagonist.

What makes the project particularly unusual is Nicholson’s personal connection to its setting. She has previously written about growing up around the Playboy Mansion and visiting regularly from childhood until she was around 11. Her 2024 Vanity Fair essay described the mansion as a place where many of her childhood friends lived and where she encountered Playmates, Hefner’s children and the adults who surrounded the property. Those memories are now informing her first feature film. (Yahoo News Malaysia⁠)

For Depp, Playmates adds another strikingly different role to an increasingly eclectic filmography. Following Nosferatu, she is also set to reunite with director Robert Eggers for Werwulf and appears in the science-fiction comedy Alpha Gang. (TheWrap⁠)

The film is produced by Alex Orlovsky and Duncan Montgomery of High Frequency Entertainment alongside Depp herself. Searchlight has acquired the project, but no official release date has been announced yet.

With Depp entering the Playboy universe, Nicholson transforming her extraordinary childhood surroundings into fiction, and Pullman stepping into Hefner’s famous robe, Playmates is already shaping up to be one of the more unexpected additions to Depp’s upcoming slate.

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Almost 50 years after Rocky became one of the most successful and beloved sports films in cinema history, Hollywood is returning to the story that started it all with I Play Rocky – a new film about the extraordinary determination of a young Sylvester Stallone to write and star in the movie that would change his life.

Directed by Oscar-winning filmmaker Peter Farrelly (Green Book), the film stars Anthony Ippolito as Stallone, charting his struggle as an unknown actor trying to convince Hollywood that he was the only person who could play Rocky Balboa. Despite being offered substantial sums for his screenplay, Stallone refused to sell unless he was allowed to play the leading role himself.

The impressive supporting cast includes Matt Dillon as Stallone’s father, AnnaSophia Robb as his first wife Sasha Czack, Stephan James as boxing champion Apollo Creed, Toby Kebbell, P.J. Byrne, Tracy Letts and Jay Duplass as legendary director John G. Avildsen. Kiki Seto also appears as Talia Shire, who played Adrian in the original films.

The project is written by Peter Gamble and produced by Farrelly alongside Toby Emmerich and Christian Baha. Interestingly, Ippolito reportedly secured the role after sending Farrelly an unsolicited audition tape. Stallone himself has seen the finished film and praised the young actor’s performance.

So what are critics saying? The early reviews following its Toronto Film Festival premiere have been largely enthusiastic. Rotten Tomatoes’ initial critics’ score stood at 87%. Ippolito’s performance has attracted particular praise, with some reviewers predicting a major breakthrough. However, not everyone is convinced. Some critics have described the screenplay as overly sentimental and argue that the film relies too heavily on recreating moments from the original rather than developing its own identity.

The original Rocky, released in 1976, was a phenomenon. Made on a modest budget, it told the story of struggling Philadelphia boxer Rocky Balboa, who gets an unlikely shot at heavyweight champion Apollo Creed. Stallone wrote the screenplay in just a few days, inspired partly by the real-life fight between Muhammad Ali and underdog Chuck Wepner.

The film won three Academy Awards, including Best Picture, beating heavyweight competition, and launched Stallone into international superstardom. It spawned five direct sequels, followed by the hugely successful Creed spin-off films starring Michael B. Jordan.

I Play Rocky opens in select cinemas on November 6, 2026, with a wider release later in November.

It is, fittingly, another underdog story – this time about the man who created one of cinema’s greatest underdogs.

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Online communities such as Reddit and DMT forums contain thousands of reports with striking similarities. Common themes include encounters with “machine elves,” insect-like beings, alien intelligences, impossible architecture, and feelings of entering a hyper-real dimension. Some users believe these entities are independent intelligences, while others interpret them as symbolic manifestations of the subconscious. Although these recurring themes are fascinating, researchers caution that anecdotal reports cannot establish whether the experiences reflect external reality.

Universities are now studying DMT more rigorously. At Imperial College London, scientists have developed “extended-state DMT” (sometimes called DMTx), using an intravenous infusion that maintains the psychedelic state for around 30 minutes, much longer than the typical experience.

Their goal is not to prove another dimension exists, but to investigate consciousness, brain function, and whether prolonged experiences reveal consistent psychological patterns. Researchers are also examining DMT as a potential treatment for depression, with early clinical trials showing rapid symptom improvements in some patients when combined with psychotherapy. Larger studies are still needed before it can become an established medical treatment.

A standard inhaled or vaporized DMT experience typically lasts 5 to 20 minutes, with peak effects occurring within the first few minutes. Intravenous administration generally lasts 10 to 30 minutes, depending on dose. Extended infusion techniques used in research can keep volunteers in the altered state for approximately 30 minutes, and researchers believe longer durations may eventually be feasible under tightly controlled laboratory conditions. Importantly, although the objective duration is short, many participants report profound distortions of time, describing experiences that feel like hours, days, or even lifetimes.

Overall, the DMT realm remains one of neuroscience’s most intriguing mysteries. The consistency of many reports has motivated scientific investigation, but there is still no evidence that DMT users are accessing another physical dimension. Current research focuses instead on understanding consciousness, the brain’s construction of reality, and whether DMT may have therapeutic value for psychiatric disorders.

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Marking Romeo’s acting debut, the French-language film sees the 24-year-old son of David and Victoria Beckham step into an unexpectedly provocative role opposite French actor Paul Kircher. And if the trailer is anything to go by, he is certainly not afraid to get stuck into the action.

What is everyone saying about Forty Love?

The newly released footage has sparked conversation thanks to its tantalising glimpses of the chemistry between the two leads. Kircher plays Sacha Gallo, an ambitious young tennis star whose carefully controlled life is turned upside down by the arrival of Romeo’s charismatic rival.

Their relationship begins with on-court taunts and competitive tension before spilling into something considerably more intimate. There are stolen glances, flirtatious exchanges, bedroom scenes and a passionate kiss that has quickly become one of the trailer’s biggest talking points.

One particularly cheeky line sees Romeo’s character declare, “It’s not my fault if you’re f***ing in love with me.” Elsewhere, he jokes about not wanting to sound as though he wants to be Sacha’s boyfriend during a press conference. Subtle, these two are not.

Of course, Romeo’s famous surname has also fuelled discussion about celebrity privilege and whether his acting debut can establish him as more than just another nepo baby. Having previously modelled for luxury fashion houses including Saint Laurent and Balenciaga, he is now entering an entirely different arena.

Everything we know about the film

Directed by fashion photographer Pierre-Ange Carlotti in his feature-film debut, Forty Love explores the collision between sporting ambition, identity and desire. Sacha has spent years training under his father’s watchful eye, determined to secure a major tennis title in Paris. But his new rival threatens both his championship dreams and his emotional composure.

The supporting cast includes Guillaume Canet, Benjamin Voisin and French screen icon Catherine Deneuve. The soundtrack features music by 070 Shake and Johan Lenox, adding another intriguing dimension to the project. The film is scheduled to arrive in French cinemas on 25 November 2026, with international release plans yet to be confirmed.

The Heated Rivalry effect

The comparisons with Heated Rivalry are inevitable. The hit hockey romance captured audiences with its irresistible combination of enemies-to-lovers tension, secret encounters and emotional vulnerability between two elite athletes.

According to Queerty, Forty Love shares plenty of familiar ingredients, including teasing exchanges, coded public flirtations and intimate moments behind closed doors.

More importantly, the success of Heated Rivalry demonstrated the mainstream appetite for unapologetically sensual queer romances featuring complex male characters in traditionally masculine sporting environments. Forty Love arrives amid that cultural momentum, potentially attracting viewers who want more stories that challenge conventional ideas about masculinity and desire.

Whether Romeo and Paul can recreate that same onscreen magic remains to be seen. But with a provocative trailer, a compelling rivals-to-lovers premise and plenty of chemistry to fuel speculation, Forty Love has already served up its first winning shot. And this time, the real match is happening off the court.

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Set in the world of an all-girls Catholic school, the show promises a dark, unsettling take on teenage friendships, forbidden desires and the dangers of trying to suppress them.

What is The Body about?

The story follows the Lions, a rebellious all-girls Catholic school dance team whose members are caught between religious expectations and their own increasingly reckless behaviour.

Led by captains Anya Butler and Elise Zakaria, the group performs a drug-fuelled initiation ritual involving Grace Franklin, their newest recruit. But the ceremony takes a disturbing turn, triggering prophetic visions and a wave of mass hysteria that spreads throughout their town.

As events spiral out of control, the girls find themselves at the centre of a terrifying mystery. Are they experiencing genuine supernatural phenomena, or is something more psychological at play? Beneath the horror, the series explores the pressures of adolescence, the power of group loyalty and the potentially destructive consequences of shame and repression.

Who stars in The Body?

The cast includes Kristina Bogic as Anya Butler, Sara Boustany as Elise Zakaria and Sofia Wylie as Grace Franklin, the new recruit whose initiation sets the story in motion.

Other cast members include Geena Meszaros as Lisbeth Anderson, Shirley Chen as Maddie Delaney, Jackson Kelly as Leo Anderson, Nnamdi Asomugha as Father Franklin and Louisa Krause as Catherine Anderson. Ashley Madekwe and Marcel Ruiz also feature, while reality-TV fans may recognise Gabby Windey, the former The Bachelorette star and The Traitors winner, as Coach Miller.

Shephard created the series, serves as showrunner and directs the opening episode. Executive producers include actress Riley Keough, best known for Daisy Jones & the Six, alongside Peter Chernin and other producers.

How much sex and nudity can viewers expect?

Sexuality is central to The Body, rather than simply a device for shock value. The series explores queer identity, sexual repression, forbidden desires and the confusion that can accompany growing up in an environment dominated by strict religious expectations.

Viewers can expect sexual tension, provocative teenage behaviour, taboo fantasies, drug use and darkly irreverent humour. The show’s marketing emphasises its steamy, boundary-pushing approach, although the precise amount of nudity and explicit sexual content has not been fully established in the material released so far.

Its provocative themes are closely tied to the wider story, examining how guilt, desire and social pressure can collide with potentially devastating consequences.

When does The Body arrive on Netflix?

The Body is scheduled to premiere on Netflix on 11 November 2026, with eight episodes planned. An official trailer and first-look images have already offered a glimpse of its unsettling atmosphere and Y2K-inspired teen aesthetic.

With its mix of supernatural mystery, Catholic-school scandal, queer themes and dark comedy, The Body could appeal to fans of Jennifer’s Body, Carrie and Mean Girls. The biggest question is whether the series can deliver a satisfying explanation for its increasingly disturbing events.

One thing is clear: this is not a conventional coming-of-age drama. It promises a provocative exploration of teenage girlhood, where friendship, faith, sexuality and fear collide, and where one disastrous ritual may change everything.

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At the heart of spirituality lies the recognition that beneath our differences, we share a common essence. We are expressions of the same humanity, connected by the same fragile existence, bound by the same need for love, dignity, safety, and belonging. Yet, in the political arena, we are encouraged to divide ourselves into opposing camps, each defined by its beliefs, its values, and its perception of what is right.

Is there a contradiction here?

Perhaps the question is not whether we should participate in politics, but whether identifying with a political party quietly reinforces the very separation that spiritual awakening invites us to transcend.

When we say, I am this and they are that, when we begin to see the world through the lens of us versus them, do we risk mistaking our opinions for our identity? Do we become so attached to the righteousness of our chosen side that we lose the capacity to recognise truth, compassion, or wisdom in someone who stands elsewhere?

Oneness does not necessarily demand sameness. It does not require us to abandon our convictions, ignore injustice, or remain silent in the face of suffering. In fact, genuine love may call us to challenge systems that cause harm. But can we challenge an idea without condemning the person who holds it? Can we stand firmly for what we believe while remaining curious about what we might not yet understand?

Perhaps the danger lies not in political affiliation itself, but in the unconscious attachment that can accompany it. When a party becomes part of our identity, disagreement can feel like a personal attack. Our desire to defend our side may become stronger than our desire to discover what is true.

And so, perhaps the spiritual invitation is to participate without becoming possessed by our participation. To engage without hatred. To question without contempt. To remember that no political ideology, however compelling, can fully contain the complexity of human consciousness.

If we truly believe that we are interconnected, then the person across the political divide is not separate from us. They are not an obstacle to our oneness. They are part of it.

Maybe the deepest expression of spiritual maturity is not having no political beliefs, but holding them with enough humility to remember that we are human beings first, and political identities second.

For what is the value of being right about the world if, in the process, we lose our connection to one another?

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