Setting the tone with a textured frequency with add lib nuances and a boundless, cerebral synth fused with trap high hats, Louis Miller opens Destruction with intrigue and dimensionality.
We are immediately in awe of the rising artist’s flow, brimful with metaphors and poetic prowess. Needless to say, we are mesmerized. Louis Miller‘s mindset showcases subversion and a consciously realized energy as he takes us on a journey with his evocative prose.
The architecture of the star’s lyricism is based around themes of (self-) destruction and rebuilding. We appreciate his authenticity and the sound design of the opus which features wild and dynamic industrial moments and an astral flute.
The versatility of Louis Miller is tangible, as he showcases his range, depth of emotion and singing skills on the magnetic composition. Classical elements raise the bar on what Louis creates, cementing his originality and proving the creation of his own sonic universe.
We learn that the artist from Queens is “unapologetically honest” and “doesn’t hold his tongue”. Louis designs his work with the intention to grow a “generation of outsiders and people that feel frustration about the state of the world.”
He references producers including Pharrell, Kanye West, Max Martin, Dr. Dre, and many more as his influences, which we can feel come through on Destruction, although there is no denying that Louis Miller is pioneering a style of his very own.
We have added the enigmatic and intricate new single to our New Music Spotlight playlist, whilst we continue to stream Louis Miller‘s wider discography including Drop on the Leaf, and Vacate the Premises.