Drawing us in with a descending, astral synthscape, expanding with a dimensional guitar performance and textured drums, Dream Bodies opens Run with a brooding, dark-wave vocal performance that reminds us of The Cure.

We immediately connect with the emotional depth and cerebral value of what manifests. The instrumentation is dynamic, and the prose is laced with poetic prowess. Run is about notions of escape and self-discovery.

We leave behind the city lights and noise, and run into the openness of the desert night in search of freedom and release. The imagery of wind in our hair, floating higher, and chasing something “out there” invites us to break free from constraints and reconnect with a more authentic self.

The symbolism of desert stars shows clarity, truth, and a reminder of the vastness beyond the mundane. At the same time, the lyrics acknowledge that running away may not entirely erase the past. “The ghosts you left” highlights how memories, regrets, or unresolved issues might linger.

All in all the adventure is refined, cinematic and cohesive. We learn that Dream Bodies is the solo project of artist Steven Fleet, who has worked with members of Magic Wands, VV and the Void, Night Nail, and Boytronic, and toured the US/UK/Europe with bands like the Chameleons.

The project is designed to blend post-punk, darkwave, and dreampop, drawing from The Chameleons, The Glove, Clan of Xymox, Sad Lovers and Giants, The Cure, New Order/Joy Division, Cocteau Twins, Sisters of Mercy, Echo and the Bunnymen, Depeche Mode, Molchat Doma, and the KVB, which we can definitely feel come to life, although it is also clear that Steven is on a path of his own!

Speaking on the release, Steven confesses that Run serves as his fifth single and is about “venturing into the unknown, into the dark vastness of possibility. Seeking something in that cloud of unknowing, sensing there’s something out there: a destiny, a purpose not yet fulfilled. Yet, all the while you’re haunted by the past version of yourself that you need to leave behind into order to metamorphose into the you that you wish to become.”

We love the depth and intention that Dream Bodies creates with, and have added Run to our New Music Spotlight playlist, and our TIMELESS and TRIPPY playlists, whilst we continue to stream his preceding four singles, namely Circle of Light, Don’t Look Back (which we previously reviewed), Eclipse, and Dream Hangover.

The post Dream Bodies returns with notions of conscious escapism in immersive new single, Run appeared first on KIMU.

Jenny Maybee’s Run is a breathtaking composition that melds jazz, trip-hop, and cinematic sound design into a hypnotic and emotionally charged experience. The track opens with a progressive jazz soundscape, where lush chords and ethereal textures set the tone for an immersive journey. Jenny’s vocal timbre is exquisite – sublime, evocative, and layered with a celestial depth that carries an undeniable emotional weight. Her ability to weave harmonies, sometimes subtly haunting and at other times powerfully resonant, elevates the track to a higher plane of sonic artistry. The fusion of jazz improvisation with minimalist, cinematic elements creates an atmosphere both expansive and intimate, drawing listeners into a world that feels both deeply personal and universally relatable.

The production, spearheaded by GRAMMY-winning producer Isha “The Mad Scientist” and featuring drummer Nick Carico, is meticulous yet organic, striking a balance between avant-garde sophistication and raw emotional power. The influence of jazz legends like Miles Davis is palpable, particularly in how Jenny’s vocals function almost as an instrument, mirroring the emotive phrasing of a trumpet. The layering of harmonies and subtle electronic textures enrich the track with an almost trance-like quality, reminiscent of Davis’ later experimental work blended with modern trip-hop influences akin to Massive Attack or Portishead. There’s a weightlessness to the arrangement, yet every note feels intentional, every pause loaded with meaning.

Lyrically, Run navigates themes of desire, longing, and surrender to passion. The opening lines, “In this ageless rhythm of the night, I could spin it faster if you’d like,” introduce a sense of urgency – an invitation to move with the music, with fate, with the gravitational pull of love. The song’s narrative unfolds in a space between night and dawn, dream and reality, where the protagonist exists as both a guide and an enigma: “Don’t tell me you’re confused here, don’t tell me you’re alone / ‘Cause I’m the only, only one you’ve ever, ever, ever known.” The repetition of “only” intensifies the song’s central theme – the inescapable, almost fated connection between two souls.

As the song progresses, the chorus becomes a mantra: “Run my way, run my way, and find me / Run my way, make my day, don’t deny me.” There’s an undeniable tension between pursuit and surrender, between the longing to be found and the command to be sought. The lines “Where do you look for me, where do you find me / Why won’t you let me in, let the mysteries design me” suggest a desire not just for love, but for deep understanding – an openness to being shaped by another’s perception and presence. This existential plea for recognition and closeness is both intimate and universal, speaking to the human need for connection and acknowledgment.

The bridge introduces a shift, almost a moment of reckoning: “Set your eyes on the horizon, are you ready to begin? / We’re running a new course here, why don’t you settle in.” Here, the song transcends mere yearning and steps into transformation – love as a journey rather than a destination, a call to embrace the unknown. The repetition of “I’m the only, only one you’ve ever, ever, ever known” in the final refrain feels less like a declaration and more like a truth revealed, as if the song itself is a spell cast to awaken something dormant in us.

Jenny Maybee’s vocal delivery adds another layer of depth to these lyrics. Her voice is at once intimate and commanding, shifting effortlessly from whisper-like vulnerability to soaring intensity. The way she navigates the song’s dynamic range is masterful, never over-singing but always ensuring that every note carries an emotional resonance. The harmonies, meticulously crafted and layered, create a sense of multiplicity – one voice becoming many, mirroring the themes of searching and belonging.

The album Only Love, from which Run emerges, is set to be a meditation on surrender – both to passion and to the unpredictable currents of life. The track encapsulates that philosophy beautifully, existing in the liminal space between structure and improvisation, between control and release. The global events of recent years have undeniably influenced Jenny’s music, and in Run, that influence manifests as an urgent desire to feel, to move, to embrace the ephemeral nature of time and connection.

Ultimately, Run serves as an experience – a sonic landscape that envelops the listener in its warmth, its mystery, and its undeniable emotional pull. With its fusion of jazz, trip-hop, and cinematic sound design, Jenny Maybee has crafted something both timeless and contemporary. We have added the opus to our New Music Spotlight playlist, and our TIMELESS and TRIPPY playlists, whilst we await the entirety of the album!

The post Run by Jenny Maybee: A Cinematic Jazz-Fusion Masterpiece That Explores Passion, Longing, and the Inevitability of Connection appeared first on KIMU.

Pulling out ALL the stops, here is the best tour trailer you will EVER see in the history of time. It’s almost Bonnie & Clyde 4.0 and Jay0Z and Beyonce have pulled in a massive A-List set of actors to bring this to life, because they can.

Sean Penn, Don Cheadle, Guillermo Díaz, Emmy Rossum, Jake Gyllenhaal, Blake Lively, Rashida Jones and Kidada Jones – have been roped in alongside Beyonce and Jay-Z to promote the On The Run Tour.

The trailer is directed by Melina Matsoukas. Tickets for “On The Run Tour: Beyoncé and JAY Z” available now.

The post JAY Z & Beyoncé “RUN” appeared first on KIMU.