Current reports suggest the new season could arrive in late 2026 or early 2027. Several entertainment outlets have pointed out that creator Tyler Perry is known for fast production schedules, which means the turnaround may be quicker than many Netflix dramas. Some fan discussions online even claim filming may already be complete, although Netflix has not officially confirmed that information. 

The series has become one of Tyler Perry’s most talked-about Netflix projects thanks to its mix of family betrayal, crime, romance, and power struggles. The story follows Kimmie, played by Taylor Polidore Williams, whose rise from hardship to power shocked viewers throughout the first two seasons. By the end of Season 2, Kimmie had positioned herself at the top of the Bellarie empire while major secrets exploded around the family business. 

Season 3 is expected to focus heavily on the consequences of Kimmie’s takeover. Many fans believe the Bellarie family will attempt revenge, leading to even more betrayals and dangerous alliances. There are also several unfinished storylines that viewers expect the show to resolve, including FBI investigations, family rivalries, and romantic tensions between key characters. 

Most of the main cast is expected to return, including Crystle Stewart and Ricco Ross. Fans are also predicting shocking character deaths and surprise alliances as the series heads toward its finale. Reddit discussions have been filled with theories about who could survive the final season and who might finally get revenge. 

Although Netflix is keeping many details secret, one thing seems certain: Season 3 will likely deliver the same over-the-top drama and cliffhangers that made Beauty in Black such a streaming hit. Until an official release date is announced, late 2026 remains the strongest prediction.

The post When Is Beauty in Black Season 3 Coming Out? Everything We Know appeared first on KIMU.

The opus expands with a cinematic vibe and the poetic lyrics, “The wind it blows around Derrybeg, I’ll return to feel it again some day, by the light of the silvery moon, I hear the valley’s old sweet tune, this time I’m coming home to stay, oh Donegal, I hear you calling, the waves are rolling back to your shore…”

We are immediately enamoured by the warm and intentional nature of the narrative, and the high emotional quotient of the chords. There is no doubt that Donegal / The Swallow’s Tail would be perfect for a multitude of sync placements, notably a film like Into the West, The Quiet Man, or The Secret of Roan Inish.

The instrumentation is masterful, and it is refreshing to experience something that feels like a time capsule in 2026. We learn that Davie Furey performs lead vocals, acoustic guitar and bodhran, Mike McGoldrick (Mark Knopfler Band) shares his skill on the flute, Éanna Ó Cróinin plays the uilleann pipes, Kane O’Rourke evokes emotion on fiddle and whistle, whilst Martin Quinn plays acoustic guitar and keys. The song was developed with fiddle player Kane O’Rourke and produced by Martin Quinn in Jam Studios.

Davie Furey tells us, “To work with Gerry and these incredible musicians on this song is one of the highlights of my musical career. I had a vision of how the song and poem would marry but the musicians involved on this tune brought it to another level. Gerry has been a good friend over the years. I greatly admire the work he has done in bringing peace to our country and his work in striving for a United Ireland.”

Speaking on his presence within the track, Gerry adds, “I was very pleased when Davie Furey invited me to record one of my poems … for his song Donegal. It’s a wonderful song which captures the essence of one of my favourite counties. It was a delight to work with Davie and the musicians. I am a big admirer of Davie’s music and I wish him well with Donegal. Go raibh maith agat. Bhí mé an-bhródúil gur iarradh orm cur leis an amhrán seo. Maith thú, a Dhavie.”

The sonic switch-up for the finale into an epic instrumental jig feels like a scene from Titanic – we are in awe of the vibrancy and high octane energy that transmutes. It is no surprise that Davie is so proud of his creation, as this truly stands the test of time and feels like an archive masterpiece brought to life in 2026.

Needless to say, we are in awe, and will be adding Donegal / The Swallow’s Tail to our New Music Spotlight playlist, and our TIMELESS playlist, when it comes out on April 10th. You will be able to pre-save the song from this Friday! Tune into www.daviefurey.com for updates!

The post Preview: Davie Furey taps into his traditional Irish roots and enlists renowned activist Gerry Adams for epic and cinematic new opus, Donegal / The Swallow’s Tail appeared first on KIMU.

So, the question everyone is asking is if the hype is worth the olfactory experience… so I went to TF HQ in London to experience it today and shoot the provocative bottle with Phellipe Souza in situ before the SS18 runway presentation during New York Fashion Week on Wednesday.

So for the scent itself, Fucking Fabulous had to behold and left field direction to fit with the quite poignant name, it does this by marking a foray of private blends into a sweeter arena. This is brought to life by the blend of almond bitter oil and tonic resinoid with orris accord and cashmeran, leather accord and clary sage oil bringing the earthier classic Tom Ford elements.

The sweeter direction is definitely a trend right now with Kilian leading the charge in that space. For me its something for parties and the sensibility of juxtaposition with the playfulness of the more campaign or image-based provocation from Tom Ford brought to life through scent.

The limited edition fragrance is debuting at Mr Ford’s SS18 runway show in New York on September 6th, and will be exclusively available the next day on Thursday 7th September in the TomFord boutique, Sloane St.

The post Exploring The Identity of Tom Ford’s Fucking Fabulous appeared first on KIMU.

Considering I have somewhat of an obsession with the idea of advancing a hybrid tech reality for humankind, last night, I had the pleasure of attending the premiere of a digitally reimagined production of “The Tempest.” Breaking boundaries, the show paid homage to the 400th anniversary of Shakespeare’s death by creating a new dimension for guests in the form of the rendering a digital character – Ariel the sprite – live on stage.

Using live performance capture technology powered by Intel and developed by The Imaginarium Studios (traditionally reserved for pre-recorded video game and film content), the show featured a highly complexed and very loveable digital avatar which interacted with other live actors in real-time. According to Imaginaruim, the avatar is created with “336(!) joints, the equivalent to recreating every joint in the human body, and is powered by a PC that has 50-million times more memory than the one that put man on the moon.” So you can imagine the versatility of the character.

What I loved personally was seeing how Ariel (played by Mark Quartley)’s character was re-designed to be almost a beautiful blue androgynous nymph-esque creature with almost digital quirks in the physical human which complimented how the digital avatar came to life. Almost featured in 75% of the production, Ariel the sprite’s mesmerising presence definitely stole the show.

The overall production was also incredible as you can see from some of the photos in this post, with a complex narrative built into a subversive world, everything from the backdrops to the lighting, the thunder and lightning cracks of “the storm” and the detail in each of the character designs are truly world-class.

The Tempest in collaboration with Intel runs until January 21 2017 in Stratford-Upon-Avon, tickets are available through the RSC and will also be showing at The Barbican in 2017.

The post Preview Intel’s Digitally Re-Imagined Production of Shakespeare’s The Tempest appeared first on KIMU.

Back to 2015, to celebrate the various stages of Louis Vuitton heritage (from 1854 to today), the exhibition ‘Volez, Vogues, Voyages’ has launched at the Grand Palais curated by Olivier Saillard, with set design and art direction by Robert Carsen and in collaboration with fifth generation family member, Patrick Louis Vuitton.

Showcased over 9 rooms, the exhibition features heritage pieces from the very first trunks to the most recent creations designed by Nicholas Ghesquiere and Kim Jones.

A little preview of what you can expect in the images below. Will make sure to share more in January when I am in Paris for menswear week!

The exhibition is open from now until 21 February 2016. Photography by Grégoire Vieille ℅ Louis Vuitton. See my other Louis Vuitton stories including special projects, here.

The post Spotlight: Louis Vuitton ‘Volez, Vogues, Voyages’ at the Grand Palais appeared first on KIMU.

Words cannot express how excited the world is for the new season of Ryan Murphy’s American Horror Story and the previews and teasers just keep on giving. EW just premiered the official first look at Lady Gaga in her new TV role alongside the rest of the cast and what can I say, it looks phenomenal. Some of the plot has also been unveiled by Mr Murphy including the following highlight on Gaga’s character ‘The Countess’. I really don’t want to spoil the rest for you!

…The owner of the titular Hotel Cortez, The Countess is a glamorous but deadly creature who sustains on a healthy diet of sex and blood — she kills with her very fashionable but very sharp chainmail glove. “She’s extremely strong,” explains Gaga. “She’s been through so much. It’s kind of impossible for anything to penetrate her.”

The post First Look: Lady Gaga in American Horror Story appeared first on KIMU.

Based around the seven deadly sins, here are two preview images featuring Nathaniel by Philippe Vogelenzang for Envy and Robin Decaux and Jonathan Hayden by Frederico Martins for Wrath. More previews including the cover with Sean O’Pry by Doug Inglish (for Lust) at models.com

The post DSECTION SS15 Preview appeared first on KIMU.

Today marks the official launch of his debut album campaign with the official MNEK website going live (it’s very slick) and the release of a narrative-led mix tape featuring his inspirations, tracks he has worked on and even a preview of new material. 2014, the year of MNEK. What good is a heart?

The post MNEK: The Mixtape Vernacular + Album Preview appeared first on KIMU.

In the meantime, here is the artwork for the single shot by Natalia Mantini. If you’re dying for a taste, there’s a mega-raw demo clip and a couple of live performances on YouTube.

UPDATE – Here is the official track. Delivering riot girl meets grunge-pop princess, Kills is defining pop with Problem. It is utter perfection. Bring on the video.

The post Single Announcement + Artwork: Natalia Kills – Problem appeared first on KIMU.

Styled by Aiden Connor, “Candy…Darling?” features a unique cast of Johanna Londinium, Laura Cherry, Parvyn Choudhury, Federico Tanas and Marnie Scarlett in a creative that fuses the intoxicating joie de vivre of the 1950’s movie ‘An American in Paris’ and Andy Warhol’s superstar actress Candy Darling.

The post Preview: Ziad Ghanem AW13-14 “Candy…Darling?” by Ram Shergill appeared first on KIMU.