Delirious (So Tired): Drawing us in with a dimensional riser that immediately transports us into a futuristic universe, Delirious (So Tired) is a high-energy, emotionally charged track that blends pop-punk vocals with cutting-edge dubstep production. Matt Wright’s delivery is as introspective as it is raw, creating a sonic atmosphere that mirrors the exhaustion and delirium he describes. The track’s emotive core, combined with its intricate electronic layers, makes it an easy standout – one that we imagine would be iconic in a live setting.

Heartbreaker: With its cerebral glitch texture and fierce dance beat, Heartbreaker is a song of empowerment, heartbreak, and defiance. Matt’s pristine pop vocals deliver an emotional gut punch, perfectly complementing the nuanced electronic production. The lyrics explore the idea of flipping the heartbreak narrative, with Matt expressing the desire to be the heartbreaker rather than the one being broken. The track’s infectious energy and cinematic music video further cement it as a modern dance-pop anthem.

Thank U (Bringing Us Down): This genre-warping anthem fuses glitchy futuristic pop with punk rock rebellion. Beginning with a cerebral synthscape, the track explodes into hyperpop-infused rock energy, channeling influences from 100 gecs, Good Charlotte, and Charli xcx. Lyrically, it turns heartbreak into empowerment, celebrating the end of a toxic relationship rather than lamenting it. The chorus is an anthemic battle cry, and the production choices – layered, metallic vocal distortions and dynamic instrumentals—reinforce the chaotic yet liberating sensation of moving on.

Falling: Lush synths and astral nuances create a dreamlike, euphoric atmosphere on the track that describes the all-consuming feeling of falling in love. The production on this one is immaculately forward-thinking, and definitely a worthy contender for festival stages like Tomorrowland. The track’s sci-fi pop tendencies suggest Charli xcx-style pop, one of the album’s faces of love songs, and it would’ve been right at home as a late-night jam.

Euphoria: A high-energy celebration of love’s little joys, Euphoria is a fierce, club-friendly track with refined drum and bass production. The cerebral introduction leads into a pulsating beat, evoking comparisons to early Simon Curtis. Matt’s poetic lyricism and vivid metaphors elevate the song, taking listeners on a heartfelt and exhilarating sonic journey.

Break Up 2 Make Up: Exploring the frustrating cycle of toxic relationships, Break Up 2 Make Up features glitch-pop vocal design and a dynamic, SOPHIE-esque soundscape. Matt’s punk influences shine through in his delivery, and the addition of piano elements brings an elegant depth to the track. The fusion of experimental production and pop sensibility makes this a compelling and addictive listen.

Tell Me What I Want To Hear: With a darker, emotive edge, Tell Me What I Want To Hear delves into feelings of being trapped in a relationship with someone emotionally distant. The celestial soundscape adds an element of optimism to the song’s melancholy, showcasing Matt’s ability to blend raw vulnerability with experimental electronic production. His high emotional intelligence is on full display, making this track particularly resonant.

Shine: A powerful anthem about self-acceptance and authenticity, Shine features a stunning orchestral opening and dimensional bass design. The empowering message is amplified by Matt’s confident delivery, making it a track that radiates positivity and resilience. It’s a celebration of individuality, reminiscent of the energy found in some of the biggest pop anthems of the past decade.

Take A Lil’ Time: With a playful, captivating sound, Take A Lil’ Time is an upbeat track that feels like the perfect fit for a teen rom-com soundtrack. Its charming nature, catchy melodies, and pop-swing fusion make it a lighthearted highlight within the album’s more emotionally intense moments.

Headspace: Diving into themes of mental health and personal struggles, Headspace is a deeply personal and reflective track. The opening synths set a contemplative tone, while the lyrics emphasize the importance of love and support in overcoming internal battles. Songs about mental health play a crucial role in destigmatizing conversations surrounding emotional well-being, and Matt’s honest storytelling makes this track particularly significant.

Take Me Somewhere: A song about being so in love that nothing else matters, Take Me Somewhere is an immersive, atmospheric track that blends tropical house elements with Matt’s signature futuristic production. The song’s dreamlike quality and warm, melodic beats create a feeling of escapism, making it the perfect closer for an album that takes listeners through an emotional rollercoaster of love, loss, empowerment, and self-discovery.

OMT: A track about giving a relationship “one more shot”. The xylophone-style introduction and pounding drums immediately pull us in. The emotional quotient is high, with Matt’s lyrics perfectly encapsulating the bittersweet hope of trying again. His ability to blend storytelling with dancefloor-ready beats makes this an irresistible song.

Goodnight: The album closes on a deeply moving note with Goodnight, a heartfelt tribute to a lost loved one. The piano-driven arrangement is stunning, filled with timeless elegance and breathtaking chord changes. Emotionally charged and stadium-worthy, this song is a tear-jerking yet beautiful way to end such a diverse and dynamic record.

Matt Wright’s What To Watch is a masterful interrogation of the cyclical nature of human experience. Through a seamless blend of nostalgia, contemporary production, and philosophical lyricism, he crafts an album that is at once deeply personal and universally resonant. Each track serves as a vignette, a scene in the grand film of existence, urging the listener to engage with their own emotions, memories, and existential inquiries.

In the end, What To Watch is not just about love, loss, or euphoria – it is about the very act of watching, of witnessing, of being present in the theatre of one’s own life. Wright reminds us that we are not just participants in our own narratives, but also spectators, ever searching for meaning in the flickering frames of our experience. And perhaps, in that search, we find what it means to truly be alive! We have added Headspace and Heartbreaker to our New Music Spotlight playlist, and TRIPPY playlist!

The post A Journey Through the Senses: Exploring Matt Wright’s Boundless and Emotive Universe Through His Album, What To Watch appeared first on KIMU.

Matt Wright’s Thank U (Bringing Us Down) is a hyper-modern, genre-warping anthem that thrives on its ability to fuse glitchy, futuristic pop production with the raw, rebellious energy of punk rock. The track opens with a cerebral synthscape that feels like stepping into a neon-lit dystopian dream before bursting into an electrified fusion of hyperpop and anthemic rock, reminiscent of a world where Good Charlotte, 100 gecs, and Charli xcx converge.

The synthetic elements aren’t just decorative, they’re fundamental to the song’s emotional arc, reinforcing the dizzying, chaotic sensation of a toxic relationship unraveling. Wright’s vocal manipulation, layered, distorted, and at times metallic, adds to the track’s sense of cybernetic catharsis, making it a perfect fit for a high-energy movie montage or a Gen Z coming-of-age TV series.

Lyrically, Thank U (Bringing Us Down) subverts the traditional breakup song, shifting from heartbreak to gratitude with a tongue-in-cheek defiance. The verses depict the suffocating weight of a relationship that felt like an emotional black hole: “It is never-ending / The torture I get inside / When I think of you.” Here, Wright encapsulates the psychological torment of a love that wasn’t love at all—just a cycle of control and disillusionment. The imagery of “descending” and being “cursed with voodoo” evokes a near-supernatural force keeping him tethered to someone toxic, emphasizing the manipulation and entrapment often felt in relationships that overstayed their welcome.

But the chorus flips the narrative. Instead of lamenting the pain, Wright celebrates it: “I wanna thank you / For all the bad memories / ‘Cause now I see that I am stronger.” The repetition of “bringing us down” isn’t mournful—it’s triumphant. Each chant feels like a foot stomping down on the past, a collective release of all the weight that once dragged him under. The song revels in the liberation of clarity, the realization that walking away isn’t just necessary – it’s exhilarating.

The second verse takes the reflection deeper, confronting the wasted time spent trying to “re-write our history.” This line speaks to a universal human tendency – to cling to relationships long past their expiration date, attempting to reshape the narrative into something salvageable. But Wright dismantles that illusion, declaring “I don’t need you, always pushing me round,” an assertion of newfound independence that pulses with anthemic energy.

The bridge is a final, resounding severance: “Are you thinking what I’m thinking? / Every time we meet, I get the same old feeling.” The shift here is key—it’s not just Wright realizing the relationship was doomed; it’s the mutual understanding that it was always meant to collapse. The repetition of “on and on and on” in earlier sections is crucial, it mirrors the exhaustion of the relationship’s toxic cycles, and when it finally breaks, it feels like a breath of fresh air.

At its core, Thank U (Bringing Us Down) is a battle cry for anyone who’s ever found themselves in a relationship that eroded their sense of self, only to emerge stronger once it was over. With its fusion of pop-punk attitude, hyperpop futurism, and deeply cathartic lyrics, the song doesn’t just dwell on pain, it weaponizes it into empowerment. It’s the perfect anti-Valentine’s anthem, not just for those who’ve loved and lost, but for those who’ve learned to celebrate the loss itself.

Naturally, we have added the opus to our New Music Spotlight playlist, and our TRIPPY playlist, whilst we continue to stream Matt Wright‘s growing discography, including Bad Behaviour!

The post Thank U (Bringing Us Down): Matt Wright’s Genre-Bending Anthem of Futuristic Pop-Punk Catharsis, Emotional Liberation, and the Triumphant Reclamation of Self appeared first on KIMU.

Drawing us in with a subversive and cerebral glitch texture, expanding into clarity with a fierce dance beat and pristine pop vocal, Matt Wright opens Heartbreaker with evocative prose as he sings, “Today is gonna be the day, I get up and walk away, it’s time to leave it all behind, get you off my mind, there’s nothing left to say…”

We immediately connect with the vulnerable, yet empowering nature of the track. The conviction that Matt performs with is tangible, and the combination of a clean and infectious sonic landscape showcases a refined brand of immaculate pop production.

The seamless integration of risers and nuanced electronica adds depth and complexity to the opus, elevating it to a whole new level. However, what truly sets this dance track apart is its lyrics. The emotive and relatable nature expressed through Matt’s words strikes a chord deep within.

With reference to the narrative, the popstar from Mayfield goes on to tell us, “It’s a classic ‘I’ve had my heart broken enough times, that I want to be the one breaking someone else’s heart for once’ kind of story.” Sonically, the talented creator also cites Years & Years and Becky Hill as sonic peers, although there is no doubt that Matt is manifesting a sound of his own.

The rising artist fearlessly opens up about his personal experiences, allowing us to connect with him and his message. This is further brought to life by a situational and cinematic music video, which allows us to connect with Matt as a performer.

He confesses, “Something else that’s REALLY cool about this release, is that I’ve actually managed to get Ollie King from BBC Three’s ‘I Kissed A Boy’ (hosted by Dannii Minogue) to star in the music video too!”

It is not surprise that BBC Introducing have shared four of Matt Wright‘s tracks across BBC Radio Sussex and BBC Radio Surrey over the past year. We connect with the authenticity and depth that Matt Wright has to offer with his art, and have added Heartbreaker to our New Music Spotlight playlist, and our brand new TIMELESS playlist, whilst we continue to stream Matt’s wider discography, including OMT and Headspace!

The post Matt Wright shares relatable and captivating new single, Heartbreaker appeared first on KIMU.