One of the strongest arguments for AI porn is that it removes the need for performers. No one has to expose their body on camera, endure uncomfortable working conditions, or risk having intimate footage distributed without permission. For consumers, AI-generated content may offer a way to explore fantasies without directly contributing to an industry where exploitation can occur. It could also provide sexual expression for people who struggle to access intimacy because of disability, isolation, or social anxiety.

However, the ethical benefits become less convincing when AI porn uses the likenesses of real people without their consent. Deepfake pornography demonstrates how artificial content can still cause genuine harm. A fabricated image may not document a real sexual encounter, but it can damage someone’s reputation, violate their privacy, and turn their identity into a product they never agreed to sell. The absence of a real sexual act does not mean the absence of a real victim.

There are also broader questions about how AI porn shapes our understanding of sex and relationships. AI can produce bodies that conform to idealised beauty standards, respond perfectly to user preferences, and exist entirely to satisfy individual desires. While this may seem harmless, it risks reinforcing unrealistic expectations about intimacy and encouraging the belief that sexual partners should be endlessly customised. Human relationships require negotiation, vulnerability, and mutual respect. Artificial partners may offer pleasure without these demands, but pleasure and intimacy are not necessarily the same thing.

Furthermore, the technology itself has an ethical footprint. AI models require energy, computing resources, and training data, which may include images collected without meaningful consent. The apparent cleanliness of the final product can conceal the human labour and environmental costs behind its creation.

Ultimately, AI porn is not inherently more ethical than traditional pornography. Its morality depends on how it is produced, whose data it uses, and whether it causes harm. Fully fictional content created with consensual inputs may reduce certain forms of exploitation, but non-consensual deepfakes reproduce familiar abuses in a new medium.

The real question, therefore, is not whether artificial pornography is better than human pornography. It is whether we can build a sexual culture that values consent, dignity, and responsibility, even when technology makes it easier than ever to ignore them.

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The History Behind the Legend

The original Ramayana is an ancient Indian epic traditionally attributed to the sage Valmiki. Composed more than 2,000 years ago, the story has influenced Indian culture, religion, literature and art for centuries. Its popularity has also spread throughout Southeast Asia, inspiring countless adaptations in theatre, dance, television and cinema.

The epic is iconic because it explores timeless themes of love, loyalty, sacrifice, courage and the battle between good and evil. For millions of Hindus, it is also a sacred story centred on Lord Rama, widely worshipped as an incarnation of Vishnu. At its heart lies the concept of dharma, or righteous duty, which shapes the characters’ decisions and struggles.

The Plot

The film follows Rama, a prince of Ayodhya who accepts fourteen years of exile to honour his father’s promise. His wife, Sita, and brother, Lakshmana, accompany him into the wilderness. Their lives take a dramatic turn when Ravana, the powerful king of Lanka, abducts Sita.

Determined to rescue her, Rama embarks on a dangerous journey with the help of Lakshmana, Hanuman and an army of allies. The story builds towards an epic confrontation between Rama and Ravana, exploring the motivations, loyalties and moral complexities of its central characters.

The decision to tell the story across two films gives the filmmakers more room to explore its enormous world, emotional depth and legendary battles.

The Star-Studded Cast

Ranbir Kapoor leads the film as Rama, while Sai Pallavi portrays Sita. Yash takes on the role of Ravana, bringing considerable star power to the central antagonist. Sunny Deol plays Hanuman, the devoted warrior who becomes one of Rama’s most important allies, while Ravie Dubey portrays Lakshmana.

The production is directed by Nitesh Tiwari and features an international creative team, including Oscar-winning composers Hans Zimmer and A. R. Rahman, who are collaborating on the film’s score.

CGI and Hollywood-Level Visual Effects

One of the biggest talking points is the film’s visual ambition. DNEG, the Oscar-winning visual-effects company behind films such as Dune and Interstellar, is involved in bringing its mythical world to life. Audiences can expect elaborate palaces, fantastical creatures, supernatural powers and enormous battlefield sequences.

The production is also designed for IMAX, highlighting its ambition to deliver a truly cinematic experience. However, the finished film’s CGI quality will ultimately depend on the final execution rather than its budget or technical team alone.

Release Date and Expectations

The first instalment is scheduled to arrive in cinemas on 5 November 2026, with the second part planned for Diwali 2027.

Ultimately, Ramayana has the potential to become a landmark in Indian cinema. Its success will depend on more than spectacular visuals and an impressive cast. The filmmakers must also honour the spiritual significance and cultural legacy of a story that has endured for thousands of years. If they achieve that balance, Ramayana could become one of the defining cinematic events of 2026.

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Set in the world of an all-girls Catholic school, the show promises a dark, unsettling take on teenage friendships, forbidden desires and the dangers of trying to suppress them.

What is The Body about?

The story follows the Lions, a rebellious all-girls Catholic school dance team whose members are caught between religious expectations and their own increasingly reckless behaviour.

Led by captains Anya Butler and Elise Zakaria, the group performs a drug-fuelled initiation ritual involving Grace Franklin, their newest recruit. But the ceremony takes a disturbing turn, triggering prophetic visions and a wave of mass hysteria that spreads throughout their town.

As events spiral out of control, the girls find themselves at the centre of a terrifying mystery. Are they experiencing genuine supernatural phenomena, or is something more psychological at play? Beneath the horror, the series explores the pressures of adolescence, the power of group loyalty and the potentially destructive consequences of shame and repression.

Who stars in The Body?

The cast includes Kristina Bogic as Anya Butler, Sara Boustany as Elise Zakaria and Sofia Wylie as Grace Franklin, the new recruit whose initiation sets the story in motion.

Other cast members include Geena Meszaros as Lisbeth Anderson, Shirley Chen as Maddie Delaney, Jackson Kelly as Leo Anderson, Nnamdi Asomugha as Father Franklin and Louisa Krause as Catherine Anderson. Ashley Madekwe and Marcel Ruiz also feature, while reality-TV fans may recognise Gabby Windey, the former The Bachelorette star and The Traitors winner, as Coach Miller.

Shephard created the series, serves as showrunner and directs the opening episode. Executive producers include actress Riley Keough, best known for Daisy Jones & the Six, alongside Peter Chernin and other producers.

How much sex and nudity can viewers expect?

Sexuality is central to The Body, rather than simply a device for shock value. The series explores queer identity, sexual repression, forbidden desires and the confusion that can accompany growing up in an environment dominated by strict religious expectations.

Viewers can expect sexual tension, provocative teenage behaviour, taboo fantasies, drug use and darkly irreverent humour. The show’s marketing emphasises its steamy, boundary-pushing approach, although the precise amount of nudity and explicit sexual content has not been fully established in the material released so far.

Its provocative themes are closely tied to the wider story, examining how guilt, desire and social pressure can collide with potentially devastating consequences.

When does The Body arrive on Netflix?

The Body is scheduled to premiere on Netflix on 11 November 2026, with eight episodes planned. An official trailer and first-look images have already offered a glimpse of its unsettling atmosphere and Y2K-inspired teen aesthetic.

With its mix of supernatural mystery, Catholic-school scandal, queer themes and dark comedy, The Body could appeal to fans of Jennifer’s Body, Carrie and Mean Girls. The biggest question is whether the series can deliver a satisfying explanation for its increasingly disturbing events.

One thing is clear: this is not a conventional coming-of-age drama. It promises a provocative exploration of teenage girlhood, where friendship, faith, sexuality and fear collide, and where one disastrous ritual may change everything.

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What do you really know about dairy? It is a question at the heart of Viva!’s powerful new 30-minute documentary, What Do You Really Know About Dairy?, which challenges generations of assumptions about milk, nutrition and the realities of modern dairy farming.

We were delighted to attend a private screening at THIS UK’s headquarters in London last night, for an evening that brought together important conversations about animal welfare, health and the influence of the dairy industry.

Presented by Juliet Gellatley, founder and director of Viva!, the film investigates how dairy became so deeply embedded in our understanding of a healthy diet. Featuring registered dietitian Rosie Martin, alongside haematologist Dr Shireen Kassam and gastroenterologist Dr Alan Desmond, it examines the evidence behind familiar nutritional claims and asks whether dairy really is essential for human health.

The documentary explores the biological reality of milk production: cows must become pregnant and give birth to produce milk. Their calves are typically separated from them within hours of birth, raising difficult questions about the emotional bond between mother and offspring. Female calves may enter the dairy herd, while male calves face different outcomes, including rearing for meat or slaughter.

It also challenges the belief that dairy is necessary for strong bones, examining the science behind calcium, bone health and the nutritional claims repeated through advertising, public campaigns and popular culture. The film encourages viewers to consider how plant-based foods can provide essential nutrients without relying on dairy.

Another important theme is the power of industry marketing. Familiar images of happy cows grazing in green fields have helped shape public perceptions, but the documentary investigates the contrast between these reassuring portrayals and the realities of modern milk production.

The statistics behind the screening

• 30 minutes: The length of Viva!’s investigative documentary.
• 59%: According to Viva!’s pre-film public survey, this proportion of respondents believed cows produce milk simply because they eat grass.
• £19 billion: The annual value attributed to the UK dairy industry in Viva!’s September 2026 press release.

These figures highlight the scale of the industry and the importance of questioning what we think we know about dairy. The 59% finding is particularly striking, revealing how easily fundamental misunderstandings can become accepted as common knowledge.

A huge thank you to THIS UK for hosting last night’s screening and supporting such an important conversation. The evening was made even more special by delicious canapés from Charlotte Roy, chef at Michelin-starred Plates London, alongside Sophie Surgue, MasterChef 2025 runner-up.

Viva!’s documentary is an invitation to look beyond the packaging, question established narratives and make informed choices. Whatever your current diet, it is a conversation worth having.

Watch What Do You Really Know About Dairy? via Viva!’s official website, where the film is available to rent for £2.99 or buy for £5.99. Watch the film via dairyfilm.viva.org.uk

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Released on 13 October, the trailer promises a contemporary take on the franchise while retaining the ingredients that made the original a global television phenomenon. Viewers are treated to dangerous water rescues, explosive action, complicated relationships and plenty of sun-soaked beach glamour. One dramatic sequence involves a plane crashing into the ocean, giving the new lifeguard team a high-stakes introduction.

The 12-episode series will premiere on Fox in the US, while UK and Irish viewers can watch exclusively on Sky and its streaming service NOW.

Who stars in the new Baywatch?

Leading the reboot is Stephen Amell, best known for Arrow and Heels, as Hobie Buchannon, now a captain of the Baywatch lifeguards. Hobie is the son of Mitch Buchannon, the legendary character played by David Hasselhoff in the original series.

Hobie’s life takes an unexpected turn when his estranged daughter, Charlie Vale, played by Jessica Belkin, arrives hoping to follow the family tradition and become a lifeguard herself. Her ambitions create tension as Hobie struggles to balance his responsibilities as a father with the dangers of the job.

The new ensemble also includes Shay Mitchell as Trina, Hassie Harrison as Nat, Noah Beck as Luke, Brooks Nader as Selene, Thaddeus LaGrone as Brad and Livvy Dunne as Grace, marking the former gymnast’s acting debut.

Nostalgia is firmly on the agenda, too. David Chokachi returns as Cody Madison, while Erika Eleniak reprises her original role as Shauni McClain. The series is overseen by Matt Nix, creator of Burn Notice, with original Baywatchcreators Michael Berk, Greg Bonann and Doug Schwartz among the executive producers.

How the original became a global sensation

First broadcast in 1989, Baywatch ran for 11 seasons until 2001, becoming one of the most widely watched television shows in the world. At its height, it reportedly reached more than a billion viewers weekly across over 200 countries.

Hasselhoff’s portrayal of Mitch Buchannon anchored the series, while Pamela Anderson became a household name as C.J. Parker. Its mix of rescue missions, personal drama, glamorous beach settings and instantly recognisable red swimwear made it a defining fixture of 1990s pop culture. The franchise also helped launch the careers of stars including Carmen Electra and Jason Momoa.

The new series aims to recapture that appeal for a modern audience, blending familiar characters and visual trademarks with a new generation of lifeguards. Whether it can recreate the original’s extraordinary cultural impact remains to be seen, but the trailer makes one thing clear: Baywatch is ready to make a splash again.

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Warning: spoilers for the Carrie season finale.

Carrie White’s story may be far from over. Mike Flanagan’s reimagining of Stephen King’s Carrie takes the familiar tale of a bullied teenager with terrifying telekinetic powers and expands it into something much bigger. And after that explosive season finale, the question is no longer simply whether Carrie can survive, but what she might become.

The eight-episode Prime Video series concludes with Carrie unleashing devastating destruction after the infamous prom-night humiliation. However, unlike the most familiar versions of the story, this adaptation leaves the door open for a future beyond the massacre. Carrie survives and is rescued by Emaline, who introduces her to a hidden community of women with extraordinary abilities.

That revelation changes everything. Carrie is no longer simply an isolated teenager whose powers spiral out of control. She is part of a much larger world, one that could provide the foundation for another season.

What could happen in season 2?

The finale suggests that a potential second season could explore Carrie learning to control her abilities, discovering more about the mysterious network of psychically gifted women and deciding whether she wants revenge, freedom or something far more ambitious.

The final declaration, “It’s my world…”, is particularly intriguing. It sounds less like the frightened girl we first met and more like someone beginning to imagine a future on her own terms.

Could Carrie become a pop star, a supermodel or even the President? These possibilities might sound outrageous for a horror series, but they offer fascinating ways to explore what happens when someone with extraordinary powers gains influence in the real world.

A celebrity storyline could examine how Carrie transforms public attention into power. The fashion world could become a stage on which she controls her image rather than allowing others to define her. Politics, meanwhile, could take the story into darker territory, asking whether someone capable of bending the world to her will should ever be trusted with authority.

Has season 2 been confirmed?

For now, viewers should separate possibilities from confirmed plans. The finale clearly establishes room for more storytelling, but that does not automatically mean a second season has been officially commissioned. Any producer comments teasing Carrie’s future need to be understood in their exact context rather than treated as confirmation of a particular storyline.

One thing is certain: “It’s my world” is an ending that invites speculation. Carrie’s future could be about learning to live with her powers, or discovering just how much she can change the world around her.

If the series returns, the most compelling question may not be what Carrie can become, but what happens when the world finally belongs to her.

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The key is narrative depth. Across eight episodes, Flanagan has room to explore the ecosystem of cruelty surrounding Carrie White, rather than treating her suffering as a countdown to prom-night carnage. By updating the story for an era of social media, viral humiliation and anonymous online abuse, the series recognises that bullying no longer ends when the school bell rings. Carrie’s torment follows her everywhere, turning the internet into an extension of the hostile world she is desperately trying to understand. As The Verge observes, the series brings a fresh perspective to the classic story through its focus on cyberbullying and psychological horror. (The Verge)

The character arcs are equally ambitious. Carrie’s transformation becomes a gradual, painful accumulation of rejection, hope, tenderness and rage. Her mother, Margaret, also gains a more complicated emotional trajectory, while the supporting characters are given greater psychological texture. The result is a story less interested in dividing the world neatly into monsters and victims than in examining how fear, insecurity and collective cruelty create them. RogerEbert.com calls this adaptation “the most layered”, a distinction that captures its greatest achievement. (RogerEbert.com)

Then there is the acting. Summer H. Howell makes Carrie painfully vulnerable without reducing her to a passive victim. Her performance captures the awkwardness of adolescence, the tentative thrill of acceptance and the terrifying consequences of discovering a power that nobody has taught her to control. Samantha Sloyan’s Margaret is similarly compelling, bringing emotional contradictions to a character who might otherwise have remained a straightforward embodiment of religious fanaticism. The Los Angeles Times describes Howell as “exceptional throughout”. (Los Angeles Times)

Cinematically, the series earns its scale. Flanagan builds towards the prom massacre through atmosphere, perspective and accumulating dread, making the violence feel like the culmination of an entire community’s failures rather than an isolated horror set piece. The expanded format also allows music, visual storytelling and quieter interpersonal scenes to deepen the emotional impact.

De Palma’s Carrie remains a masterpiece of compression and cinematic terror. But Flanagan’s version achieves something different: it turns a familiar nightmare into a sustained tragedy about adolescence, power and the human need to belong. By expanding the story without losing sight of its wounded heart, Amazon’s Carrie may well be the most complete adaptation yet.

The post Why Amazon’s Carrie Is the Best Version Yet appeared first on KIMU.

Another major criticism is the writing. Early reviews have described the story as confusing, overloaded and occasionally boring. Slant’s review is particularly harsh, calling the season “borderline incoherent” and arguing that its short episodes and constant recycling of familiar characters prevent the story from developing properly. The review also criticizes the way returning characters are presented almost like celebrity cameos, with familiar lines and imagery seemingly included for audience applause rather than because they serve the plot.

The pacing has also become a source of frustration. Slant points out that some episodes are barely 22 minutes long, considerably shorter than episodes from earlier seasons. For viewers accustomed to AHS building elaborate worlds and complicated storylines, the reduced runtime can make the new season feel rushed or incomplete.

There is also a broader sense of fatigue among some fans. Criticism of Season 13 follows dissatisfaction with previous installments, particularly Season 12, Delicate. Although Delicate received a 77% critics’ score on Rotten Tomatoes, its audience score was lower at 64%. Critics praised its more restrained approach but also questioned its ability to create genuine suspense.

Fan discussions show similar complaints about weak writing, disappointing payoffs and excessive reliance on familiar ideas. Some viewers have described Delicate as building suspense without delivering a satisfying conclusion, while others argue that the newer seasons lack the atmosphere and character development associated with earlier installments.

Ultimately, the negative reaction seems to reflect a clash between what made AHS popular originally and what Season 13 is currently offering. The show is giving longtime fans recognizable faces, characters and references, but some critics and viewers feel that nostalgia cannot replace strong writing, coherent plotting and genuine horror.

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But beyond the murder investigation, Blue Season is notable for the Asian talent embedded throughout its world, with Vietnamese identity and language forming an important part of the show’s cultural texture.

One of the faces to watch is Kim Nguyen, who appears throughout the series as Kim. Her involvement is particularly significant because Vietnamese representation in British television remains relatively rare. Blue Season was deliberately created by its filmmakers to allow Asian characters to exist naturally inside a mainstream British crime story rather than making their ethnicity the entire subject of the narrative. (Vietcetera⁠)

Nguyen’s presence therefore carries significance beyond a conventional supporting role. Vietnamese dialogue appears within the series alongside Cantonese, Mandarin, Japanese and French, creating a genuinely multilingual London rather than a version of the city filtered exclusively through English. (Feyno⁠)

For Vietnamese audiences, seeing Vietnamese talent and language embedded inside a British crime thriller on a global streaming platform is a particularly striking moment. It reflects Blue Season’s wider ambition: representation that feels lived-in rather than inserted for effect.

With Nguyen appearing across all six episodes, her involvement becomes part of the show’s continuing Vietnamese presence. (Fi1m⁠)

Blue Season isn’t presenting Vietnamese identity as a novelty. It is simply allowing Vietnamese people, language and talent to exist within the world of a major crime drama. And that, arguably, is what makes Kim Nguyen’s presence so meaningful.

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The actress has been cast as Anna in Playmates, an upcoming coming-of-age drama from Searchlight Pictures. The film will be the feature directorial debut of Lorraine Nicholson, daughter of Hollywood legend Jack Nicholson, who has also written the screenplay. The project was announced by Searchlight in September 2026. (TheWrap⁠)

Despite its provocative setting, Playmates is not a Hugh Hefner biopic. Instead, the story centres on 13-year-old Elle, played by Indiana Elle, a self-described know-it-all who considers the Playboy Mansion her second home. There she meets Anna, one of seven women hoping to become Playmate of the Month, played by Depp.

The pair develop an unlikely friendship and decide to help each other pursue what they want most. For Anna, that means achieving a coveted magazine cover. For Elle, it means winning over a boy. The film is therefore being positioned primarily as a coming-of-age story rather than a straightforward examination of Hefner or the Playboy brand. (TheWrap⁠)

Bill Pullman is attached to play Hugh Hefner, bringing the real-life founder of Playboy into the story. However, available details suggest Hefner is part of the world surrounding the characters rather than the central protagonist.

What makes the project particularly unusual is Nicholson’s personal connection to its setting. She has previously written about growing up around the Playboy Mansion and visiting regularly from childhood until she was around 11. Her 2024 Vanity Fair essay described the mansion as a place where many of her childhood friends lived and where she encountered Playmates, Hefner’s children and the adults who surrounded the property. Those memories are now informing her first feature film. (Yahoo News Malaysia⁠)

For Depp, Playmates adds another strikingly different role to an increasingly eclectic filmography. Following Nosferatu, she is also set to reunite with director Robert Eggers for Werwulf and appears in the science-fiction comedy Alpha Gang. (TheWrap⁠)

The film is produced by Alex Orlovsky and Duncan Montgomery of High Frequency Entertainment alongside Depp herself. Searchlight has acquired the project, but no official release date has been announced yet.

With Depp entering the Playboy universe, Nicholson transforming her extraordinary childhood surroundings into fiction, and Pullman stepping into Hefner’s famous robe, Playmates is already shaping up to be one of the more unexpected additions to Depp’s upcoming slate.

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