Dan Arwady’s latest opus, Somebody Else, from his 2025 EP Carry With You, is a triumph of understated beauty and emotional resonance. With its delicate interplay of acoustic guitar, vocals, and strings, the song evokes a quiet but profound introspection, reminiscent of the evocative soundscapes crafted by early Elliott Smith. Yet, Arwady manages to infuse a distinct voice and modern sensibility into this track, making it uniquely his own.
The song opens with an acoustic guitar introduction that is intricate yet restrained, inviting us into its intimate world. This melody sets the tone for what follows: a journey that feels both deeply personal and universally relatable. The guitar’s warmth is complemented by the addition of Chloé Mendola’s sublime cello, whose mournful, lyrical lines weave a rich emotional texture throughout the song. Cassie Annunziata’s harmonies elevate Arwady’s raw, heartfelt vocals into something transcendent. Together, their voices blend seamlessly, amplifying the poignancy of the lyrics. The harmonies feel neither overproduced nor overly polished; rather, they carry the authenticity of a live performance, a quality that Arwady sought to emphasize in the studio recording process.
Lyrically, Somebody Else is a masterclass in poetic subtlety. Arwady’s words probe themes of self-discovery, longing, and the human tendency to grapple with change and identity. The lyrics are relatable yet artfully enigmatic, leaving space for listeners to project their own narratives onto the song. They capture the ache of losing oneself in the pursuit of others’ expectations – a universal struggle articulated with disarming simplicity.
The accompanying live video performance brings the essence of Somebody Else to life with remarkable clarity. Shot in-studio immediately after the recording session wrapped, the video captures the collaborators including guitarist Harry Griffin in their respective roles. Each artist’s contribution is vividly showcased, allowing viewers to witness the dynamic interplay that makes the track so compelling. Arwady’s impassioned delivery is central, but it’s the collaborative synergy that elevates the performance. Griffin’s acoustic guitar work feels effortless yet intentional, Mendola’s cello adds a haunting depth, and Annunziata’s harmonies shine with a raw vulnerability that perfectly complements Arwady’s lead vocals. The live setting emphasizes the song’s authenticity, underscoring the emotional honesty that defines it.
There’s a timeless quality to Somebody Else, as though it has always existed in some form, waiting to find its place in the hearts of listeners. The instrumental interlude, a tender guitar passage, bridges the lyrical segments with grace, giving the music room to breathe and the listener a moment of introspection. This passage feels less like a pause and more like a sigh, a small, necessary space to process the weight of the emotions conveyed.
Tracked live at Grey Room Studios in Oakland, the minimal use of overdubs allows the performance’s raw energy to remain intact. The mix, helmed by Bryan Cook, strikes a perfect balance: the vocals are intimate but never overpowering, the cello and guitar are present without dominating, and the harmonies bloom naturally, enveloping the listener in their warmth.
Somebody Else exemplifies Dan Arwady’s versatility as a songwriter and performer. It is intricate and accessible, deeply personal yet universally resonant. The collaborative nature of the track, highlighted by the live video, adds layers of depth to the composition, making it a standout on the Carry With You EP. Arwady’s ability to channel vulnerability into art cements his position as one of the Bay Area’s most compelling musical voices. This is a song that doesn’t demand your attention but earns it – and leaves a lasting impression long after the final note fades.
We have added Somebody Else to our New Music Spotlight playlist, and our TIMELESS playlist, whilst we continue to stream Dan Arwady’s growing discography, including the entirety of his 2024 EP, Keeping Time.