Autorub‘s new single, The Falling (432Hz), opens with a vibrant electric guitar soundscape that’s immediately captivating, like a jolt of rebellion in sonic form. From the first beat, we are swept into a kinetic world, reminiscent of the heady, pulse-racing moments you’d expect at The Bronze in an episode of Buffy the Vampire Slayer – that underground energy, rich with youthful angst and supernatural intrigue, surrounds you. The opening lines – “It was your plan right from the start, agent of chaos, demon at heart…” – set the stage for an explosive journey of philosophical rumination and inner turmoil, weaving together lyrics that evoke not only chaos but a search for deeper meaning.
Autorub’s choice to tune The Falling to 432Hz is not just a sonic novelty; it adds profound spiritual significance to the track. This frequency, believed to harmonize with the natural vibrations of the universe, offers listeners a more meditative and healing experience. Historically used in ancient music and tuned to nature’s pulse, 432Hz is said to foster a sense of balance, grounding, and peace, subtly resonating with the listener’s subconscious. It’s a tuning that feels organic and holistic, delivering not just music, but sound therapy. Autorub’s decision to embrace this frequency imbues the track with an extra layer of depth and conscious intentionality, adding a rebellious touch that goes beyond the lyrics into the very structure of the sound itself.
Instrumentally, The Falling (432Hz) is a testament to the band’s mastery and the timelessness of their soundscape. Michael Corn’s multi-instrumental prowess comes through in waves -there’s an effortless blending of classic rock elements with analog synths that harken back to Bowie’s Berlin period or the eerie futurism of Gary Numan. There’s a driving pop-rock sensibility, yet it’s wrapped in a rawness that feels both polished and untamed, commercial-friendly but still retaining an edge of rebellion. The track feels like a fusion of Weezer’s alt-rock melodies, Green Day’s punkish energy, and the atmospheric depth of early synth-pop pioneers.
As momentum builds toward the middle eight, the song’s emotional quotient spikes. It’s here where the track breathes Corn’s vocals cut through the instrumental layers with emotional gravitas, almost as if delivering a final, cathartic confession. We feel suspended in a moment of introspection, as the chaotic outer world fades, leaving only raw emotion and reflection. Autorub’s songwriting displays a philosophical depth that isn’t afraid to ask big questions about fate, control, and inner darkness – all while wrapped in a melody that’s infectiously rebellious.
The Falling (432Hz) is a perfect continuation of Autorub’s infectious and sardonic discography, standing confidently alongside tracks like Oh Marjorie and Big Girl Big Gun. It’s a song that feels timeless, yet entirely modern, a reflection of a world that’s simultaneously unraveling and searching for equilibrium. Autorub’s blend of clever, sarcastic lyrics and a sound that’s both classic and experimental cements their place as a band that knows how to challenge and engage listeners, delivering songs that are as rebellious as they are deeply thoughtful.
As we witness their rise, tracks like The Falling are sure to propel Autorub further into the stratosphere, their music a beacon of rebellious energy and spiritual introspection in equal measure. We have added the opus to our New Music Spotlight playlist, as well as our TIMELESS playlist!