Drawing us in with an immersive, astral synth, Thomas Bernard Howard opens Rose with elegance and dimensionality. The opus expands with emotional depth as the rising artist shares atmospheric vocals with metaphorical prose.
We appreciate the cohesive tapestry of sound that Thomas Bernard Howard creates with Rose, and the journey that he takes us on through his mind and spirit.
Speaking on his upcoming body of work, Thomas confesses, “Rose is the first of seven I have finished and will be releasing episodically.” The cinematic nature of the composition is tangible, and we could certainly see Rose being featured in a Sofia Coppola film.
The release of Rose comes with an evocative narrative that the artist is creating through his social media, where he shares the message:
Chapter I: Rose
𝘐𝘯 𝘔𝘢𝘺 𝘰𝘧 1913, 𝘵𝘩𝘦 𝘱𝘳𝘦𝘮𝘪𝘦𝘳𝘦 𝘰𝘧 𝘢 𝘮𝘶𝘴𝘪𝘤𝘢𝘭 𝘸𝘰𝘳𝘬 𝘸𝘳𝘪𝘵𝘵𝘦𝘯 𝘧𝘰𝘳 𝘚𝘱𝘳𝘪𝘯𝘨 𝘸𝘢𝘴 𝘤𝘰𝘯𝘵𝘳𝘰𝘷𝘦𝘳𝘴𝘪𝘢𝘭. 𝘈𝘶𝘥𝘪𝘦𝘯𝘤𝘦𝘴 𝘸𝘦𝘳𝘦 𝘶𝘱𝘴𝘦𝘵 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘪𝘵 𝘸𝘦𝘯𝘵 𝘢𝘨𝘢𝘪𝘯𝘴𝘵 𝘵𝘩𝘦𝘪𝘳 𝘤𝘰𝘯𝘤𝘦𝘱𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘴𝘦𝘢𝘴𝘰𝘯. 𝘗𝘦𝘳𝘩𝘢𝘱𝘴 𝘵𝘩𝘦𝘺 𝘸𝘦𝘳𝘦 𝘤𝘰𝘳𝘳𝘦𝘤𝘵 𝘪𝘯 𝘵𝘩𝘦𝘪𝘳 𝘪𝘯𝘴𝘵𝘪𝘯𝘤𝘵. 𝘏𝘰𝘸𝘦𝘷𝘦𝘳, 𝘦𝘲𝘶𝘢𝘭𝘭𝘺 𝘯𝘢𝘵𝘶𝘳𝘢𝘭 𝘪𝘴 𝘵𝘩𝘦 𝘴𝘦𝘯𝘵𝘪𝘮𝘦𝘯𝘵 𝘵𝘩𝘢𝘵 𝘮𝘢𝘬𝘪𝘯𝘨 𝘰𝘯𝘦𝘴𝘦𝘭𝘧 𝘧𝘦𝘦𝘭 𝘯𝘰𝘵𝘩𝘪𝘯𝘨, 𝘴𝘰 𝘢𝘴 𝘵𝘰 𝘢𝘷𝘰𝘪𝘥 𝘧𝘦𝘦𝘭𝘪𝘯𝘨 𝘢𝘯𝘺𝘵𝘩𝘪𝘯𝘨, 𝘪𝘴 𝘢 𝘸𝘢𝘴𝘵𝘦. 𝘈 𝘧𝘭𝘰𝘸𝘦𝘳 𝘪𝘯 𝘣𝘭𝘰𝘰𝘮 𝘪𝘴 𝘵𝘩𝘦 𝘳𝘢𝘪𝘯 𝘰𝘧 𝘈𝘱𝘳𝘪𝘭 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘳𝘰𝘵 𝘰𝘧 𝘚𝘦𝘱𝘵𝘦𝘮𝘣𝘦𝘳. 𝘛𝘩𝘪𝘴 𝘔𝘢𝘺, 𝘧𝘰𝘳 𝘣𝘦𝘵𝘵𝘦𝘳 𝘢𝘯𝘥 𝘧𝘰𝘳 𝘸𝘰𝘳𝘴𝘦, 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘣𝘦𝘢𝘶𝘵𝘪𝘧𝘶𝘭 𝘪𝘴 𝘣𝘰𝘳𝘯.
We love what Thomas Bernard Howard is creating, and have added Rose to our New Music Spotlight playlist, whilst we anticipate future releases from the rising star.